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In conjunction with the main Input, these three controls let you bring out varied effects of the recording head. In the Record sections, you’ll find Bias, Level, and HF EQ. The TEAC machines have Record and Play sections, the TASCAM machines have Record and EQ sections, including some of the most important controls. Instead of struggling with too many controls, you can focus on how each plugin sounds and reacts. The shared controls allow you to quickly become more confident with all four plugins, especially for users new to tape machine plugins. Each plugin also shares the same set of controls, with just a few slight differences. The layout of each plugin follows the design of the original tape machines pretty closely, minus a few adjustments for plugin form. Good looks aren’t essential, but when a plugin looks clunky or has a strange/tedious layout, it becomes less appealing to use these GUIs are fully resizable too, which is always nice. The first thing to note is that you can open these plugins inside the T-Racks 5 shell or individually in your DAW.Īs far as image goes, I think these plugins look great, and that’s pretty common with IK Multimedia. Having the original manufacturer’s seal of approval doesn’t guarantee success, but it certainly doesn’t hurt. What I like most about this collection is that it starts with the sound and performance that the manufacturer intended all those years ago. The behavior and performance of vintage gear aren’t always consistent from one unit to another, so multiple hardware owners could have slightly different expectations of how something should sound. Spectrasonics did a similar thing on a larger scale with 36 vintage keyboard instruments for Keyscape. They then sourced the most pristine example of each unit available and fully restored them to factory specification. IK Multimedia says TEAC and TASCAM selected the most sought-after models from their history, which is no surprise. It makes me think of movies like Do the Right Thing, and it’s great on Hip Hop, New Jack Swing, etc. I’m not just bundling two decades of sound together, but I’m talking about that boombox image. The four-track TASCAM Porta One MiniStudio looks and sounds like the 80s/90s. Of the four, the 388 provides the most comprehensive scope for creative tweaking, thanks largely to the three-band EQ. The TASCAM 388 eight-track recorder came around in 1985. When used with the 911 tape formulation, it delivers the definitive tape sound with saturation that can be warm or more aggressive when pushed. The 1972 A-3340S was the first four-track recorder that featured synchronized overdubbing. It adds instant authenticity with the right amount of tape saturation and compression. It’s the most subtle of the four, and you have to make more significant adjustments to get more noticeable changes. The TEAC A-6100 MKII arrived on the scene in 1973 as one of the first tape machines made specifically for mastering. The collection features four vintage tape machines and has an introductory price of €129.99 (usually €199.99). T-RackS TASCAM Tape Collection – What’s in the Collection? The TASCAM Tape Collection got my attention when it was announced, so I’m delighted to have the chance to check it out. Personally, I like to take each on individual merit some are terrible, some are good, and now and then, some are remarkably good. Some purists will tell you it sounds awful before they even hear it. Recreating the sound of vintage hardware in plugin form can be a thankless task at times.
#Keyscape black friday free#
Read more in our IK Multimedia T-RackS TASCAM Tape Collection review and enter the giveaway to win a FREE copy of the software. IK Multimedia put this collection together in collaboration with TASCAM for their 50th anniversary.
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If you’re going to emulate some legendary hardware, working with the original manufacturer is an excellent place to start.